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Plain
Slicing By slicing parallel to the center of the log, a raised "cathedral effect" is formed by the innermost growth rings.
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Half-Round Slicing Sliced on an arc parallel to the center of the log, this cut achieves a flat-cut veneer appearance.
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Rift Cut This straight grain cut is achieved by slicing red and white oak at a slight angle to minimize the irregularities in the wood.
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Rotary Cut The log is centered on a lathe and turned against a broad cutting knife set into the log at a slight angle.
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Quarter Slicing The slicing is made perpendicular to the annual growth rings of the tree. This creates a straight grain appearance.
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Lengthwise Slicing This is done from a board of flat sawn lumber rather than from a log. A variegated figure is created with this slice.
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BIRD'S-EYE - The name
itself describes it best. Once considered a defect, the best bird's-eye
flitches are now expensive and in demand. These veneers are most
often rotary cut or half-round sliced (in an arc) to produce the most
uniform distribution of nice round eyes. Bird's-eye is most common in maple
(shown), but bird's-eye does rarely occur in a few other species. |
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FIDDLEBACK - A fine
variation of curly figure, this figure's name is taken from its
customary use for violin backs. Logs for fiddle back veneers are
quarter sawn to produce very straight grain with nearly
perpendicular curls running uninterrupted from edge to edge. Maple, makore (shown), Anigre and
English sycamore head a list of about 12 fiddle back-prone species. |
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CURLY - Contortions
in grain direction that reflect light differently create an
appearance of undulating waves known as curly grain. Many species
develop this figure, but most commonly maple, shown. Stump and butt
sections of trees often produce a diagonal, staircase- like curl
referred to as "angel steps", and a rolling curl figure that is
called "cross-fire". |
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BEE’S WING - Smaller, and
more intense than mottled figure, although structurally similar,
bee's-wing figure is said to resemble that insect’s appendage when
magnified. East Indian satinwood, shown, is extremely well known
for having this figure, and it also occurs occasionally in
narra, mahogany and eucalyptus. |
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QUILTED - Although
greatly resembling a larger and exaggerated version of
pommele or blister figure, quilted figure has bulges that are
elongated and closely crowded. Quilted grain looks veritably
three-dimensional when seen at its billowy best. It’s most commonly
found in mahogany, moabi, maple (shown),
sapele and myrtle, and occurs only rarely in other species. |
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CROTCH - Cut from the
juncture of a tree's main branches and trunk, crotch figures are
often sub-categorized as flame, plume, rooster tail, feather or
burning bush. All of these descriptive terms serve to convey the
range of this figure’s appearance. Seldom found in larger sizes,
mahogany (shown) and walnut species dominate the field of crotch
veneers. |
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BURLS- Growths on trees produce some of
the most prized veneers. Usually available in smallish, often
defective sheets, burls feature swirling grain around clusters of
dormant buds, rings or eyes. Varieties include "cluster burl" or
“cat’s paw burl". Redwood, oak, ash, madrone,
elm (shown) and walnut are common burl species; exotic burls include
mappa,
thuya and imbuya. |
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POMMELE - This figure
resembles a puddle surface during a light rain: a dense pattern of
small rings enveloping one another. Some say this has sort of a
"suede" or "furry" look. It's usually found in extremely large trees
of African species like sapele (shown), bubinga and makore. Some domestic species with a sparser, larger
figure are referred to as "blistered". |
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PEANUT SHELL - When certain
woods exhibit a quilted or blistered figure, they are rotary cut to
promote a random, wild grain pattern as well. This peanut-shell
grain creates a visual illusion similar to quilted figure: the
veneer appears bumpy and pitted; when in fact it's flat. Tamo (Japanese ash), shown, and bubinga
are the two most popular examples of this figure. |
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SWIRL - This figure
is a visually gentler version of regular crotch figure. As the name
implies, the grain meanders and swirls around, often seeming to
convolute and fold in upon itself. The
densest portions of the swirl show up darker or shaded compared to
the lighter surrounding wood. Swirl occurs in species including
walnut (shown), mahogany, cherry and maple. |
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BUTTON - When woods with large medullary rays are quarter sawn, the harder, shinier rays are more fully exhibited and show up as "snowflakes" or buttons on a straight-grained background. Some veneer species, such as white oak, lace wood (shown) and American sycamore, are more attractive when sliced to reveal this button figure. |
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MOTTLED - Wavy grain combines with spiral, inter- locked grain to produce a wrinkled, blotchy figure known as mottle. The mottled figure may be scattered randomly (broken mottle), or appear as a regular checkerboard pattern (block mottle). Members of the mahogany family, koa, sapele, bubinga and African satinwood, shown, most commonly exhibit mottled figure. |
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